Blackmagic Design, which has been a leader in “new thinking” about design for what formerly would have been “film” cameras for shooting “indies”…and are all about innovative design for Digital formats, sensors, and storage…. has finally released one of its new cameras for about $3K. (shoots 4K video and other formats)
Cameras by Blackmagic are designed to meet the needs of relatively low-budget productions but with all the features desired for that sort of moving pictures shoot. They are trying to replace the DSLR cameras such as Canon EOS 7D that have been used for this niche, and which are based on an old SLR “model” that was intended to replace film for photographers such as AP sports and news.
The actual camera in the pix above is rather a small part… as shown below with a much smaller lens on it. Above, the lens is relatively huge, and the other parts provide audio access and maybe alternative hard drive storage and batteries…with a barn door on the front to protect the lens from stray light, and to help form the particular rectangular image we use for digital and film presentations. (HD for example.)
Why such a huge lens?
Well, it’s complicated, but the more light captured, the more control the DP has over the image. The above lens probably also is a zoom lens, while below here is probably a fixed focal length. Â Also, a huge lens has some macho appeal, let’s face it. So, one buys lenses in addition to the camera, to fit various production needs. The actual cost then, is the camera itself, any lenses needed, and various peripherals. Which do add up. The camera can be bought for less without any lenses.
Essentially when digital sensor chips and portable hard drives came along, Canon and Nikon took the old film camera Single Lens Reflex (SLR), and tried to pretend it was still a film camera so that set-in-their-ways pro photographers wouldn’t freak. Then, because it could shoot video, had high quality images, and was relatively very inexpensive, the EOS 7D, Â and similar 5D and comparable Nikon models were adopted by the Sundance and NYU film school filmmaker crowd.
Instead, Blackmagic is doing a complete redesign from ground up to meet needs of formerly film cameras for motion pictures, but using all Digital elements. Yes, filmmakers doing big top budget Hollywood productions can still spend 10x as much on cameras, or more….but they are increasingly getting much less additional capability for their $$.
As evidenced by this “just now” released camera. Kind of the beginning of a “golden age” of quality and inexpensive digital moving pictures.
IOW, support for the DIY DLE revolution is now much more readily accessible, and it’s only going to get better and better…because dramatic improvements are tied to the continued creation of next generations of chips, which generally increase in capability without increase in cost. Same generally for software.
Pared with post shoot digital image processing software, the quality of final images of Blackmagic  cameras are very good.
More on dramatic cost reductions in quality video production. Not just the cameras, but switchers and other production equipment. This quote from 2011 comment board:
“”””Richard – this is the future.
Anything that is “fun” or even remotely “fun” will become very inexpensive. All “professional entertainment industry products”, from video, to audio, to computers, to photography, to anything you can think of that general consumers think of as “fun” will become cheap.
So what does that mean for the future – it means that to make a living, you won’t be able to have “fun” – your job that will pay your medical bills will be hard work (whatever that is), and all the “fun jobs” (do we have fun jobs ?) will be able to be done by “anyone” so they won’t pay, and “we” will all have to “go to work” to pay our medical insurance. “”””
Bob Zelin
Another quote from Bob Zelin on cost reductions for video production also 2011. No, I don’t know Bob, or if he knows what he’s talking about or not, but it sounds like he does, and this is 3 years old POV too, so one assumes newer products have been released in the interim.
“”””the new video switcher line from Blackmagic (the ATEM, which is the results of Blackmagic buying the Echolab switcher company) has resulted in the most dramatic pricing restructuring of switchers in the history of the video industry. For the first time in history, you can purchase a top quality HD-SDI switcher, with Frame sync inputs, and multiviewer outputs for under $1000, and run it with your laptop.
And if you can spend $4995, you get the same powerhouse switcher offered by other companies for $60 – $80,000 dollars. Now, anyone can own a very high quality video switcher for less than “a piece of junk” or a used piece of gear on ebay. Anyone that required a switcher, but could not afford one, can now own a high quality piece of equipment.
The hidden cost of owning a HD-SDI switcher was owning the monitors, but now Blackmagic offers dual HD-SDI monitors, that can be used as a final program monitor for this switcher for $695 retail.
This is in addition to the HDMI multiviewer, to display the program, preview, and individual sources that are going into the swither inputs. You can use an under $200 24″ LCD monitor to see this multiviewer image. The price point is beyond great – it’s CRAZY.
“””””
Bob Zelin
OK, so I got curious who Bob Zelin is. Here’s a link to part of his website.
http://www.bobzelin.com/what-we-do